Woodstock '69: Sound by Hanley

Bill Hanley

The Father of Festival Sound

Biography
Innovations
Trivia
Awards

The difference between Insanity and Genius is measured by Success
 

Woodstock / Powder Ridge! - Newport - Fillmore E. - The Bitter End - Vietnam Protests - South Afrika

...are you looking for Terry Hanley Audio Systems (THAS) ?

 
"One of the most important people in rock and roll" - Esquire
"Hanley taught the industry what a sound man is." - David Scheirman, JBL
"He's the father of festival sound" - Woodstock Producer Mike Lang
 
News: Third Ear Music now has a website!
(a.k.a. David Marks of the Woodstock '68 Sound Team)

acts in Bill's career scrapbook include...

The Band, Joan Baez, The Beatles, The Beach Boys, Blood, Sweat & Tears, James Brown, Buffalo Springfield, Joe Cocker, Miles Davis, Bob Dylan, Duke Ellington, Connie Francis, Country Joe MacDonald, Taj Mahal, Dizzie Gillespie The Grateful Dead, Arlo Guthrie, Richie Havens, Hendrix, Jefferson Airplane, Janis Joplin , Mormon Tabernacle Choir, Peter. Paul, & Mary, Andy Pratt, Rolling Stones, Melanie, Andy Pratt, Ravi Shankar, John Sebastian, Santana, Barbra Streisand, Lawrence Welk, The Who, Johnny and Edgar Winter, Neil Young . . .

...and (at least) thousands more.

125th AES Convention in New York, 2008

photo: Freeman Z

August 13, 2009:
Hanley Speaks on Woodstock '69
at Arlington's Regent Theater

Sound Engineering Pioneer Bill Hanley, a recipient of the Parnelli Award for Audio Innovation, will speak on a panel, answering questions about the Woodstock experience, from his choice of the Festival site to planning, building and operating the custom-built sound system designed for 200,000.

 

 

Woodstock 40th Anniversary
Aug 15, 16, 17, 2009

George Wein's "Folk Festival 50"
August 1, 2, 2009

Bill Hanley designed, built and operated the Woodstock sound system. Here's the story... Bill Hanley began mixing sound for the Newport Connecticut Folk and Jazz Festivals In 1957 (...more)
 

As Chief Sound Engineer for George Wein's Newport Jazz and Folk Festivals, The Fillmore East, Woodstock, and The Bitter End, and in his innumerable other projects, Bill Hanley has always been committed to making a better world through sound.

In an era when concert promoters didn't care about sonic fidelity, Bill revolutionized live sound. He's credited with many innovations, particularly in the outdoor "festival" sound industry. These include the modern wedge monitor and the multicore "snake" connecting stages to consoles. He continues to work in the sound and stage industry with his brother Terry and son Joe. Bill lives in Massachusetts with his wife, Rhoda.

The Beatles Tour: Altec 210's Hanley Brothers w/modified "Rebels"

 

- Woodstock / Powder Ridge - Newport - Fillmore E. - The Bitter End - Vietnam Protests - South Afrika -

Looking for Terry Hanley Audio Systems ?

 

Elmore Magazine Interview: Bill Hanley

"Woodstock: 40 Years After"
Elmore magazine retells Woodstock using new interviews with sound engineer Bill Hanley, plus Richie Havens, Jorma Kaukonen, Michael Lang and... (Buy it!)

When you’re starting
something on this scale,
the critical thing
is the people.

- Woodstock Producer Michael Lang (Elmore)

 
 

- About Bill -

- Audio History -

Links Page

 

June 1965, Shea Stadium, NY
The Batman Show
featuring Adam West and Frank Gorshin
Sound by Hanley

 

Joe Hanley

Joe Hanley prepares one of Hanley Audio's forty foot tall trailer-mounted hydraulic speaker towers for transit to a half-million dollar fund-raising festival. New Yorkers might recognize these from their role in the Metropolitan Opera's acoustic arsenal. You can see them in place on a job here.

Bill's son Joe Hanley is a pro sound engineer and a certified crane operator. He runs his own small business.

Joe still works, from time to time, both with Bill and Bill's brother Terry Hanley, of T.H.A.S. in Woburn, Massachusetts, who provides sound and stage services, mostly around New England.

 

From South Africa...

 

Under Apartheid rule in South Africa, musicians were hounded by the security establishment. David Marks and photographer Tony Campbell, devised the Free People's concerts that became regular festivals on South African campuses in the 1970s.

Marks says they tended to target white English-singing musicians more than Afrikaners. "For the first Free People's concert, on the beach in Durban, we had to find ways of circumventing the race laws forbidding mixed bands."

I remember seeing
a newspaper headline:
"White Boy Leads Zulu Warriors"

...which referred to Johnny Clegg and Sipho Mchunu's band and dance group, WaMadlebe.

Numbers of talented black musicians, at that time, including Hugh Masekela (Grazin' in the Grass,) went into exile.

I'm a Woodstock Sound Crew Veteran. I would like to let Bill Hanley know how much this country really owes him. There is something I would love to tell Bill & all the crew from Hanley Sound, (Billy, Scott, Sam, David, John etc. and Chip Monck.

You all had an unintentional subliminal hand in the struggle against apartheid - you also started the 'sound and music PA industry' in Africa...see how the Woodstock Philosophy lives on in our President Nelson Mandela - despite the disasters in this country "people are feeding each other..." is this "heaven man!!...?" Not quite!... we're still trying.

I am still actively involved (at 53) producing music and festivals in South Africa, partly due to my Woodstock experience. I am currently producing a series of re-issue tapes & records and a book project through my company 3rd Ear Music (est 1969) titled: THE HIDDEN YEARS.

I also want to contact JOHN BRODIE. (He's got my Woodstock negatives.) and DAVE FREEZE. (I used his camera.)

-DAVID MARKS Durban. kwaZuluNatal, Rep of South Africa.

from Third Ear Music
(a.k.a. David Marks of the Woodstock '68 Sound Team)

 

Where's Bill?

Bill continues to work in the sound and stage industry.

He can be found working in his own metal shop improving his hydraulic stage and roof system.

In 2008, Bill recorded at a private club where he and his wife, Rhoda, go to dance. first he goes out and got starts poking at the ceiling tiles, which ruffled somebody, but he got over it. Then he returns, this time with a tall ladder and and some six foot lengths of threaded steel rod, some clamps, brackets and hardware, and within an hour the room's little loudspeakers are perched perfectly on flat steel, tilting toward the reflective dance floor by virtue of the slight bend induced in the threaded steel by gravity. Here's a page with a song from the band and some pictures.

Contact

 
all content ©2012 Freeman Z, except where noted.