| Woodstock
'69: Sound by Hanley |
| |
| The difference between
Insanity and Genius is measured by Success |
| |
|
...are you looking for Terry
Hanley Audio Systems (THAS) ? |
| |
| "One of the
most important people in rock and roll" - Esquire |
| "Hanley taught
the industry what a sound man is." - David Scheirman, JBL |
| "He's
the father of festival sound" -
Woodstock Producer Mike Lang |
| |
News: Third
Ear Music now has a website!
(a.k.a. David Marks of the Woodstock '68 Sound Team) |
acts in Bill's career scrapbook include...
The Band, Joan Baez, The Beatles,
The Beach Boys, Blood, Sweat & Tears, James Brown, Buffalo
Springfield, Joe Cocker, Miles Davis, Bob Dylan, Duke Ellington, Connie
Francis, Country Joe MacDonald, Taj Mahal, Dizzie Gillespie
The Grateful Dead, Arlo Guthrie, Richie Havens, Hendrix, Jefferson
Airplane, Janis Joplin , Mormon Tabernacle Choir, Peter. Paul, & Mary, Andy
Pratt, Rolling Stones, Melanie, Andy Pratt, Ravi Shankar, John
Sebastian, Santana, Barbra Streisand, Lawrence Welk, The Who, Johnny
and Edgar Winter, Neil Young . . .
...and (at least) thousands more. |
125th AES Convention
in New York, 2008

photo: Freeman
Z |
|
August 13, 2009:
Hanley Speaks on Woodstock '69
at Arlington's
Regent Theater
Sound Engineering Pioneer
Bill Hanley, a recipient of the Parnelli Award for Audio
Innovation, will speak on a panel, answering questions about the Woodstock
experience, from his choice
of the Festival site to planning, building and operating the custom-built
sound system designed for 200,000. |
| |
|
Woodstock 40th Anniversary
Aug 15, 16, 17, 2009 |
George Wein's "Folk Festival
50"
August 1, 2, 2009 |
| Bill Hanley designed, built and operated
the Woodstock sound system.
Here's the story... |
Bill Hanley began
mixing sound for the Newport Connecticut Folk and Jazz Festivals
In 1957 (...more) |
|
| |
As
Chief Sound Engineer for George Wein's Newport
Jazz and Folk Festivals, The Fillmore East, Woodstock,
and The Bitter End, and in his innumerable other projects, Bill
Hanley has always been committed to making a better world through
sound.
In an era when concert promoters
didn't care about sonic fidelity, Bill revolutionized live sound.
He's credited with many innovations, particularly in the outdoor
"festival" sound industry. These include the modern wedge
monitor and the multicore "snake" connecting stages to
consoles. He continues to work in the sound and stage industry
with his brother Terry and son Joe. Bill lives in Massachusetts
with his wife, Rhoda.
 |
 |
| The Beatles Tour: Altec
210's |
Hanley Brothers w/modified "Rebels" |
|
|
|
|
Looking for Terry
Hanley Audio Systems ? |
| |
Elmore Magazine Interview: Bill Hanley |
"Woodstock:
40 Years After"
Elmore magazine
retells Woodstock using new interviews with
sound engineer Bill Hanley, plus Richie Havens, Jorma Kaukonen, Michael
Lang and... (Buy
it!) |
 |
When you’re starting
something on this scale,
the critical thing
is the people.
- Woodstock Producer Michael Lang (Elmore) |
| |
|
| |
|
- About Bill -
|
- Audio History -
Links Page |
|
|
| |
|
| |
Joe Hanley

Joe Hanley prepares one of Hanley
Audio's forty foot tall trailer-mounted hydraulic speaker towers
for transit to a half-million dollar fund-raising festival. New Yorkers
might recognize these from their role in the Metropolitan Opera's
acoustic arsenal. You can see them in place on a job here. |
Bill's son Joe Hanley
is a pro sound engineer and a certified crane operator. He runs his
own small business.
Joe still works, from time to time, both with Bill
and Bill's brother Terry
Hanley,
of T.H.A.S. in Woburn, Massachusetts, who provides
sound and stage services, mostly around New England. |
|
| |
From South Africa... |
| |
Under Apartheid rule in South
Africa, musicians were hounded by the security establishment.
David Marks and photographer Tony Campbell, devised the Free
People's concerts that became regular festivals on South African
campuses in the 1970s.
Marks says they tended to target
white English-singing musicians more than Afrikaners.
"For the first Free People's concert,
on the beach in Durban, we had to find ways of circumventing
the race laws forbidding mixed bands."
I remember seeing
a newspaper headline:
"White Boy Leads Zulu Warriors"
...which referred to Johnny
Clegg and Sipho Mchunu's band and dance group, WaMadlebe.
Numbers of talented black musicians,
at that time, including Hugh
Masekela (Grazin'
in the Grass,) went into exile. |
|
I'm a Woodstock Sound Crew Veteran.
I would like to let Bill Hanley know how much this country really
owes him. There is something I would love to tell Bill & all
the crew from Hanley Sound, (Billy, Scott, Sam, David, John etc.
and Chip Monck.
You all had an unintentional subliminal hand
in the struggle against apartheid - you also started the 'sound
and music PA industry' in Africa...see how the Woodstock Philosophy
lives on in our President Nelson Mandela - despite the disasters
in this country "people are feeding each other..." is
this "heaven man!!...?" Not quite!... we're still
trying.
I am still actively involved (at 53) producing
music and festivals in South Africa, partly due to my Woodstock
experience. I am currently producing a series of re-issue tapes & records
and a book project through my company 3rd
Ear Music (est 1969) titled: THE HIDDEN YEARS.
I also want to contact JOHN BRODIE. (He's got
my Woodstock negatives.) and DAVE FREEZE. (I used his camera.)
-DAVID MARKS Durban. kwaZuluNatal,
Rep of South Africa. |
from Third Ear Music
(a.k.a. David Marks
of the Woodstock '68 Sound Team)
|
|
|
Where's Bill?

|
Bill
continues to work in the sound and stage industry.
He can be found working in his
own metal shop improving his hydraulic stage
and roof system.
In 2008, Bill recorded at a private
club where he and his wife, Rhoda, go to dance. first he goes out
and got starts poking at the ceiling tiles, which ruffled somebody,
but he got over it. Then he returns, this time with a tall ladder
and and some six foot lengths of threaded steel rod, some clamps,
brackets and hardware, and within an hour the room's little loudspeakers
are perched perfectly on flat steel, tilting toward the reflective
dance floor by virtue of the slight bend induced in the threaded
steel by gravity. Here's a
page with a song from the band and some pictures.
Contact |
|
| |
|
| all content ©2012
Freeman Z, except where noted. |